I like these, but also see clear influences.

Nan Goldin, Araki, Juergen Teller, Eggleston.

Light, color, raw.

It's hard to be original.

All by Annabel Mehran.

I guess I would trace Goldin and Teller

back to gritty street photographers,

Diane Arbus, Garry Winogrand, and them back to

Braissai's Paris Underbelly at Night

Araki has elements of the surreal from

Man Ray

and elements of the perfect still life from

Kertesz

Eggleston to me is all about light

like classic Edward Weston

and before him perhaps

Julia Margaret Cameron